Mitchell Stein- We know the classic story of Sleeping Beauty, and the curse she was thrust upon as a
new-born child, citing that on her sixteenth birthday, she will touch the
spindle of a spinning wheel and die. The wicked fairy Maleficent cast this
spell on her (for reasons unknown, but assumed at the time because she was not
invited to the celebration) but Disney’s latest summer blockbuster Maleficent
tells us the magnificent story we don’t know, and what you didn't think you needed
to know.
The film takes us on a really exciting journey which by far
was probably highly unnecessary, but entertaining regardless. The story shines
much light on the wicked villainous Maleficent, giving us light on what series
of events really caused her to “turn to the dark side” and become the wicked villainous
person as she was seen in the events of Sleeping Beauty. I won’t go in-depth
on any details in the story for this one, as there’s just an enormous amount of
things to spoil in this one.
Angelina Jolie returns to the big-screen after a four year
hiatus taking on the lead title role of the film, and she does an incredible
job. Maleficent is by far one of the strongest villains in Disney cinematic history,
so if there were any villain to deserve a film spin-off, she would win almost
instantly. Jolie takes on the wicked role and plays her character so incredibly
fantastic. She becomes the character you can’t decide whether you love or hate,
(or both) creating such a complex character and pulling you in to find yourself
actually caring for a Disney villain. Elle Fanning (Super 8) joins the cast as sixteen-year old Aurora which I thought
was flawless. Aurora was a pretty boring one-dimensional character and Fanning
really does a great job of playing this character a little better and what she
should have been in the film. Keep in mind that this is a movie about
Maleficent, and will therefore spotlight Aurora a lot less than in the 1959
film.
I found myself incredibly annoyed by Flora, Fauna and
Merryweather in this film, who buzz around most scenes like a fly waiting to be
swatted. In Sleeping Beauty the characters are goofy and slightly boring to
watch, but in Maleficent they are just plain annoying. I really could not
handle the high-pitched sounds of their voice which made them sound pretty
ridiculous. There was nothing redeeming to be found in the case of the fairies,
so I was pretty happy that they weren’t the main spotlight of the story.
But perhaps the most impressive feat of Maleficent was its
incredible set design and cinematography. Throughout the entire film, beautiful
and vibrant colors sparkle and shine, capturing every scene which had me
floored the entire film. These designs are little bit reminiscent of James
Cameron’s Avatar, in slight comparison, such as in the use of its lens flares and
in its creatures. It doesn’t quite rank up there next to Avatar in all its filmmaking
aspects, but in some of its designs.
Besides the cinematography, this film soars far above Disney
previous two fairy-tale “spin-off” films, Alice in Wonderland and Oz:
The Great and Powerful. Luckily, this movie manages to stay on course
throughout the entire story and never falls short in its 97 minute run, which I
felt can’t really be said about the former two, which felt weak to me at a
certain point and they fall apart halfway through the film. If the fairy-tale remakes continue to be like this film, than I don't see myself having much of a problem with them. The trailers are
extremely misleading to the movie aside from the story, but in terms of how
dark this film really is and how friendly it will be for kids. It’s tamer than
Tim Burton’s Alice in Wonderland remake/sequel, so if you felt that might be
okay for your kids, I don’t think you have much to worry for this movie.
3.5/5 Spinning Wheels
Maleficent opens in North America today. Rated PG.
The Mickey Mindset: mickeymindset@gmail.com
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